Category Archives: Literature After 1550 (Year 1)

1st Year Course

Is all the world a stage? Hamlet in North Korea

the globe theatre
The Globe Theatre (Photo credit: kevinofsydney)


Amnesty International has recently criticised the Globe Theatre for including North Korea in its world tour of Hamlet. Students will remember Jan Kott‘s staging of Hamlet behind the Iron Curtain, so there has been a history of performing the play under oppressive political conditions. The parallel with North Korea is not exact though as there the audience will presumably be carefully vetted.

On BBC Radio 4’s arts programme, Front Row, the artistic director of The Globe, Dominic Dromgoole, appeared to draw parallels between Shakespeare’s England and North Korea. I say ‘appears’ as I presume that he did not intend to compare King James VI & I and Korea’s Supreme Leader. (Listen to the interview here.)



Enhanced by Zemanta

Emily Dickinson: radical or restrained?

Emily dickinson
Emily Dickinson (Photo credit: Wikipedia)

Was Emily Dickinson a radical poet of the avant-garde, challenging the regularized notions of predominantly male poets and editors regarding stanza shape, typographical publication and distribution, spelling and punctuation, visual and verbal presentation, erotic love, and so on? Or was she a poet of restraint, who restricted herself to a few traditional patterns of meter and stanza, referred to the wayward Whitman as “disgraceful,” and wore her prim white dress as a sign of those renunciations best expressed in that wildest word “No”?

Article on New York Review of Books site.

RUG students – note you have full access to this journal online with your library password.

Enhanced by Zemanta