14 June 2018, 9:00-17:15.
Registration at Academy Building A3. Cost: Eur. 2.50 including lunch.
Speakers include the following students from the English department:
- Christa Lankhaar, “Mrs. Jerrold Darrington, A Person:’ The Necessity of Marriage in H.D.’s Asphodel”
- Max Reuvers, “Physiological and Sociolinguistic Change in Transmasculine Speech”
- Maximillian Pogrzeba, “The Socio-Economic Influences on Masculinity Performances in John Osborne’s Look Back in
Anger (1957) and Alan Sillitoe’s Saturday Night and Sunday Morning (1958)”
Other speakers are from International Relations, Journalism, and Law.
Gender Studies Student Symposium Programme
‘Hooked: Art and Attachment’ by Professor Rita Felski (Department of English, University of Virginia). Friday 8 June, 11:30-13:00, Heymanszaal, Academy Building. Professor Felski is an expert in literary theory.
‘The Matter of Touching: Interpreting Signs of Wear in Late Medieval Manuscripts’ by Professor Kathryn Rudy (University of St. Andrews). Monday 18th June, 16:00-18:00, A2 Academy Building.
On Monday 28 May at 21:30 (UK time) BBC 2 will broadcast their King Lear starring Anthony Hopkins, Emma Thompson and others. Details here.
As the play had to be cut down to a little under two hours, the BBC version is expected to adapt the text considerably. The ageing Lear looks back nostalgically to a housekeeper he wanted to, but did not marry. In the consequent emotional turbulence he resolves to eat one of his daughters and a fool, and drink the blood of one of his sons-in-law. However, he cannot decide whom he should dine on first, and though it is clear that he should drink Burgundy, the culinary dilemma unhinges him.
(image from http://www.bbc.co.uk/programmes/b0b57d0w)
Prof. Sobecki has recently been appointed co-editor of Studies in the Age of Chaucer, the yearbook of the New Chaucer Society and one of the leading journals for medieval literature. Studies has been in print since 1979 and features articles by some of the most prominent medievalists working today.
A boom in the sales of poetry reflects the “political uncertainty” of our times, an audience at the London Book Fair has heard.
Young rebel poets are bringing about a power shift in contemporary poetry and drawing a wider audience to the art form
Image by Kalen Bloodstone CC3.0
‘Here be Dragons’: the Oxford Fantasy Literature summer school will be held in the Faculty in September. Speakers from the Oxford English Faculty and other UK universities will look at different aspects of the genre, through 14 talks delivered over three days
interspersed with a series of 10-minute talks. Along with presentations focusing on the works of individual authors such as Tolkien, G. R. R. Martin, J. K. Rowling, Ursula Le Guin and Diana Wynne Jones, and overviews of the history of fantasy, there will be a number of short lectures on wider themes such as fantastic beasts, writing processes, and Arthurian fantasy. Further details and the full programme are available here.
As for the idea of a classroom of unruly schoolboys being stilled and thrilled to hear such stuff read aloud — as they must have once been by Tennyson — forget it. Poets don’t write for schoolboys any more. They seem to write mainly for each other.
First-year students were recently studying the work of the current British poet laureate. This article from The Daily Mail may make it all clearer.
Photo: Lancaster Litfest
In the recently published J. Roger Kurtz ed., Trauma and Literature (Cambridge: Cambridge University Press, 2018, chapter 8, ‘Trauma in Non-Western Contexts’ was written by Dr Irene Visser. This can be accessed online through the university’s subscription to Cambridge Core.
Students revising the Classical background of ‘Literature from 1550’ should avoid the siren song of the plot of BBC’s most recent series Troy: Fall of a City which doesn’t claim to follow Homer closely. The series does demonstrate the perennial fascination of Ancient Greece and its literature.